片中Marisa Tomei和Elodie Bouchez演一对办离婚的les couple......

片中Marisa Tomei和Elodie Bouchez演一对办离婚的les couple......

New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.

Both sides are up for laughs as Joanna and Glenn passionately debate the pressing issues of the day. (Short Form Series)

Nadine, a late 20's small town bank teller is stuck. Stuck at a job that's comfortable, but not very challenging. Stuck in a relationship of five years that's comfortable, but not very passionate. Stuck on the traditional path towards adulthood. But when Nadine is taken hostage in a dramatic bank heist gone wrong, her ordered life explodes in confusion.

Nadine, a late 20's small town bank teller is stuck. Stuck at a job that's comfortable, but not very challenging. Stuck in a relationship of five years that's comfortable, but not very passionate. Stuck on the traditional path towards adulthood. But when Nadine is taken hostage in a dramatic bank heist gone wrong, her ordered life explodes in confusion.

Following the fallout of film director Justin Baldoni and A-List actress Blake Lively.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

某个男子单身公寓内，住着三个性格各异却十分投缘的好哥们，分别是志愿成为导演的现如今正在录影带商店打工的横山要（山田孝之 饰）、偏差值为72的的药学科天才研究生真野真广（林遣都 饰）以及供职于快递公司且背肌力高达280公斤的新田广重（阿部进之介 饰）。他们的交往始于大学时代，当然这也多亏年龄最大的横山不断重考才让三人有了交集。历经五年时光磨练，早已成为惺惺相惜且可以互相吐槽的好战友了。他们合租已经一年半时间，日常里玩玩桌游，插科打诨，并且与偶尔闯入他们生活的人们碰撞出别样的火花。 　　生活平凡，但是三个大男孩把它玩出了乐趣和人情味！

某个男子单身公寓内，住着三个性格各异却十分投缘的好哥们，分别是志愿成为导演的现如今正在录影带商店打工的横山要（山田孝之 饰）、偏差值为72的的药学科天才研究生真野真广（林遣都 饰）以及供职于快递公司且背肌力高达280公斤的新田广重（阿部进之介 饰）。他们的交往始于大学时代，当然这也多亏年龄最大的横山不断重考才让三人有了交集。历经五年时光磨练，早已成为惺惺相惜且可以互相吐槽的好战友了。他们合租已经一年半时间，日常里玩玩桌游，插科打诨，并且与偶尔闯入他们生活的人们碰撞出别样的火花。 　　生活平凡，但是三个大男孩把它玩出了乐趣和人情味！